The Sustainable Practices Sustainability Film Series is dedicated to screening films that fit within the accepted definition of sustainability. Therefore, our films are focused on social justice, environmental justice, and economic equity themes.
As a result of the COVID-19 pandemic, we have suspended our in-person events at the Chatham Orpheum Theater.
Sustainable Practices Sustainability Film series has moved to a virtual, on-demand, platform. Tickets for our films can be purchased online and films can be viewed at a location of choice during the nine-day active period of a screening.
The Sustainability Film Series will screen Border South from October 16 through October 25.
See the film description below to purchase tickets.
An intimate account of legendary U.S. Representative John Lewis’ life, legacy and more than 60 years of extraordinary activism — from the bold teenager on the front lines of the Civil Rights movement to the legislative powerhouse he was throughout his career. After Lewis petitioned Dr. Martin Luther King Jr. to help integrate a segregated school in his hometown of Troy, Alabama, King sent “the boy from Troy” a round trip bus ticket to meet with him. From that meeting onward, Lewis became one of King’s closest allies. He organized Freedom Rides that left him bloodied or jailed, and stood at the front lines in the historic marches on Washington and Selma. He never lost the spirit of the “boy from Troy” and called on his fellow Americans to get into “good trouble” until his passing on July 17, 2020.
To stem the immigration tide, Mexico and the U.S. collaborate to crack down on migrants, forcing them into ever more dangerous territory.
Every year hundreds of thousands of migrants make their way along the trail running from southern Mexico to the US border. Gustavo’s gunshot wounds from Mexican police, which have achieved abundant press attention, might just earn him a ticket out of Nicaragua. Meanwhile anthropologist Jason painstakingly collects the trail’s remains, which have their own stories to tell. Fragmented stories from Hondurans crossing through southern Mexico assemble a vivid portrait of the thousands of immigrants who disappear along the trail. Border South reveals the immigrants’ resilience, ingenuity, and humor as it exposes a global migration system that renders human beings invisible in life as well as death.
THE GHOSTS IN OUR MACHINE illuminates the lives of individual animals living within and rescued from the machine of our modern world. Through the heart and photographic lens of animal rights photojournalist Jo-Anne McArthur, audiences become intimately familiar with a cast of non-human animals. From undercover investigations to joyful rescue missions, in North America and in Europe, each photograph and story is a window into global animal industries: Food, Fashion, Entertainment and Research. THE GHOSTS IN OUR MACHINE charts McArthur’s efforts to bring wider attention to a topic that most of humankind strives hard to avoid.
Are non-human animals property to be owned and used, or are they sentient beings deserving of rights?
We all love food. As a society, we devour countless cooking shows, culinary magazines and foodie blogs. So how could we possibly be throwing nearly 50% of it in the trash?
Filmmakers and food lovers Jen and Grant dive into the issue of waste from farm, through retail, all the way to the back of their own fridge. After catching a glimpse of the billions of dollars of good food that is tossed each year in North America, they pledge to quit grocery shopping cold turkey and survive only on foods that would otherwise be thrown away. In a nation where one in 10 people is food insecure, the images they capture of squandered groceries are both shocking and strangely compelling. But as Grant’s addictive personality turns full tilt towards food rescue, the ‘thrill of the find’ has unexpected consequences.
Pride and mischief inspire Chinese immigrant Tom Xia to challenge the Americans in his Southern California suburb to celebrate Christmas without any Chinese products. With deep ties to his extended family back home, Tom is incensed by how he considers China is misunderstood, particularly by the American media. But he gets more than he bargains for when he meets the Joneses, a young family trying to keep their children safe as a wave of Chinese toy recalls forces them to have their son tested for lead poisoning.
The Joneses start to give up not just toys, plates, lamps, and clothes, but the beloved hair dryer, coffeemaker, X-Box, and many Christmas decorations, challenging the way they live everyday life and how they celebrate Christmas. Meanwhile, Tom's parents are constructing a new home, proudly using Chinese materials to build their American dream. As they decorate for Christmas for the first time and the interactions between the Xias and the Joneses intensify, Tom realizes that he's on a deeper journey to understand the complexities of his own divided loyalties between America and China.
Before starting a family, Soozie Eastman, daughter of an industrial chemical distributor, embarks on a journey to find out the levels of toxins in her body and explores if there is anything she or anyone else can do to change them. Soozie has just learned that hundreds of synthetic toxins are now found in every baby born in America and the government and chemical corporations are doing little to protect citizens and consumers.
With guidance from world-renowned physicians and environmental leaders, interviews with scientists and politicians, and stories of everyday Americans, Soozie uncovers how we got to be so overloaded with chemicals and explores whether there is anything we can do to take control of our exposure.
Just as she feared, extensive blood testing reveals alarming levels of chemicals such as organophosphates and PBDEs in her body, so she undertakes dietary and lifestyle changes, including making informed product choices followed by a rigorous detox regimen, designed to manage and minimize her toxic body burden.
She's determined to find out: Can we hit the reset button, or is it too late?